In the debut novel DREAMS AND SHADOWS, screenwriter and noted film critic C. Robert Cargill takes us beyond the veil, through the lives of Ewan and Colby, young men whose spirits have been enmeshed with the otherworld from a young age.
In one rehearsed motion, he swapped the contents of his bag for the child in the crib. Then he was off, vaulting over the balcony, soaring blindly out into the night below without pausing to admire his own handiwork.
Dithers sailed seventeen stories down, his outstretched arm catching the trunk of a tree, swinging him, spiralling around, leaving a candy-cane stratch in the bark.
Described as part Neil Gaiman, part Guillermo Del Torro, part William Burroughs the novel follows the boys from their star-crossed adolescences to their haunted adulthoods. Cargill’s tour-de-force takes us inside the Limestone Kingdom, a parallel universe where whisky-swilling genies and foul-mouthed wizards argue over the state of the metaphysical realm. Having left the spirit world and returned to the human world, Ewan and Colby discover that the creatures from this previous life have not forgotten them, and that fate can never be sidestepped.
Cargill has created a supernatural culture that all too eerily resembles our own. Set in a richly imagined and constructed world, complete with its own richly detailed history and mythology, DREAMS AND SHADOWS is a deeply engaging story about two extraordinary boys becoming men.