The Man Booker longlisted novel is a meditation on how each of us conjures up our own city.
Every city is made of stories: stories that meet and diverge, stories of the commonplace and the strange, of love and crime, of ghosts and monsters.
Reminiscent of David Mitchell’s Ghostwritten and Italo Calvino’s Invisible Cities, the Man Booker-longlisted Communion Town is the story of a place that never looks the same way twice: a place imagined anew by each citizen who walks through the changing streets among voices half-heard, signs half-glimpsed and desires half-acknowledged.
Communion Town reveals the shadows and sinister inhabitants of a city that never appears the same way twice.
On crowded streets, in the town squares and half-empty tower blocks, the lonely and lost try to make a connection. A weary gumshoe pounds the reeking sidewalks, seeking someone he knows he will never find. Violence loiters in blind alleys, eager to embrace the unsuspecting and the reckless. Lovers are doomed to follow treacherous paths that were laid long before they first met.
This city is no ordinary place. Here, the underworld has surfaced; dreams melt into reality and memories are imagined before they are lived. Ghosts and monsters, refugees and travellers – the voices of Communion Town clamour to tell the stories of the city, stories that must be heard to be believed.
This is the story of a city.