- Juliet E McKenna – The Green Man’s Foe (Wizard’s Tower Press)
- Emma Newman – Atlas Alone (Gollancz)
- Gareth L Powell – Fleet of Knives (Titan Books)
- Adrian Tchaikovsky – Children of Ruin (Tor)
- Tade Thompson – The Rosewater Insurrection (Orbit)
Best Shorter Fiction
- Becky Chambers – To Be Taught, If Fortunate (Hodder & Stoughton)
- Amal El-Mohtar & Max Gladstone – This is How You Lose the Time War (Jo Fletcher Books)
- Fiona Moore – Jolene (Interzone #283)
- Gareth L Powell – Ragged Alice (Tor.com)
- Tade Thompson – The Survival of Molly Southbourne (Tor.com)
- Ian Whates – For Your Own Good (Wourism and Other Stories, Luna Press)
- Farah Mendlesohn – The Pleasant Profession of Robert A. Heinlein (Unbound)
- Glyn Morgan & C Palmer-Patel (Eds) – Sideways in Time: Critical Essays on Alternate History Fiction (Liverpool University Press)
- Gareth L Powell – About Writing (Luna Press)
- Adam Roberts – HG Wells: A Literary Life (Palgrave Macmillan)
- Jo Lindsay Walton – Away Day: Star Trek and the Utopia of Merit (Big Echo)
- Aitch & Rachel Vale – Cover for ‘Deeplight’ by Frances Hardinge (UK edition) (Macmillan Children’s Books)
- Chris Baker (Fangorn) – Cover for ‘Wourism and Other Stories’ by Ian Whates (Luna Press)
- Julia Lloyd – Cover for ‘Fleet of Knives’ by Gareth L Powell (Titan Books)
- Charlotte Stroomer – Cover for ‘The Rosewater Redemption’ by Tade Thompson (Orbit)
- Richard Wagner – Cover for Interzone #284 (Interzone)
We are delighted to announce that the BSFA Awards for works published in 2019 are nowopen for nominations. The deadline for nominztions is midnight at the end of 31st December 2019. If you are a BSFA member you may nominate here: https://tinyurl.com/BSFA2019nominations
If you’d like to refresh your memories of 2019 (or help jog anyone else’s), we maintain a list of suggested reading. Anyone may add to this – and you can make as many suggestions as you like. Please feel free to add eligible works here: https://tinyurl.com/BSFA2019suggestions
The BSFA Awards are awarded each year to the best Novel, work of Short Fiction, Artwork and work of Non-Fiction as voted for by the members of the British Science Fiction Association. For the full rules and timetable visit this page: https://bsfa.co.uk/bsfa-awards/awards-rules/
We are delighted to announce the shortlist for the BSFA Awards for works published in 2018.
The Awards will be presented on Saturday 20th April at Ytterbium, the 70th Eastercon, which this year is taking place at The Park Inn Heathrow, London, from 19-22 April 2019. Our host for the ceremony will be Jeannette Ng. Advance voting is open to BSFA members and Eastercon members until Monday 15th April, online at https://tinyurl.com/bsfa2018shortlist, or by post (see https://bsfa.co.uk/bsfa-2018-awards-voting-form/). Votes will also be accepted in person at Eastercon until noon on Saturday 20th April.
The shortlisted works are:
Dave Hutchinson – Europe at Dawn (Solaris)
Yoon Ha Lee – Revenant Gun (Solaris)
Emma Newman – Before Mars (Ace Books)
Gareth L Powell – Embers of War (Titan Books)
Tade Thompson – Rosewater (Orbit)
Best Shorter Fiction
Nina Allan – The Gift of Angels: an Introduction (Clarkesworld)
Malcolm Devlin – The Purpose of the Dodo is to be Extinct (Interzone #275)
Hal Duncan – The Land of Somewhere Safe (NewCon Press)
Ian McDonald – Time Was (Tor.com)
Martha Wells – Exit Strategy (Tor.com)
Liz Williams – Phosphorus (NewCon Press)
Marian Womack – Kingfisher (Lost Objects, Luna Press)
Nina Allan – Time Pieces column 2018 articles (Interzone)
Ruth EJ Booth – Noise and Sparks column 2018 articles (Shoreline of Infinity)
Liz Bourke – Sleeps With Monsters column 2018 articles (Tor.com)
Aliette de Bodard – On motherhood and erasure: people-shaped holes, hollow characters and the illusion of impossible adventures (Intellectus Speculativus blog)
Adam Roberts – Publishing the Science Fiction Canon: The Case of Scientific Romance (Cambridge University Press)
Ben Baldwin – wraparound cover for ‘Strange Tales’ slipcase set (NewCon Press)
Joey Hi-Fi – cover for ‘Paris Adrift’ by EJ Swift (Solaris)
Sarah Anne Langton – cover for ‘Unholy Land’ by Lavie Tidhar (Tachyon Publications)
Sing Yun Lee and Morris Wild – artwork for ‘Sublime Cognition’ conference (London Science Fiction Research Community)
Likhain – In the Vanishers’ Palace: Dragon I and II (Inprnt)
Bede Rogerson – cover for ‘Concrete Faery’ by Elizabeth Priest (Luna Press)
Del Samatar – artwork for ‘Monster Portraits’ by Sofia and Del Samatar (Rose Metal Press)
Charlotte Stroomer – cover for ‘Rosewater’ by Tade Thompson (Orbit)
We are delighted to announce the longlist for the BSFA Awards. Voting may now commence for the shortlist! Check out the nominees at https://bsfa.co.uk/bsfa-awards-stage-2/ and vote at https://tinyurl.com/BSFA2018shortlisting by the end of 31st January. If you’d like to investigate the nominees further, we’ve included links to stories/excerpts/artworks wherever we can find them. If you’re a publisher and would like us to add a link to an excerpt then just email firstname.lastname@example.org . Happy new year and happy reading!
Nominations for the 2018 BSFA Awards are now open! Visit the nominations page for details of how to take part.
This year we’re making a change to the BSFA Award rules for Best Novel. To bring it into line with all the other awards, we are dropping the publication location requirement for novels. Previously novels were only eligible if they were published for the first time in the UK or Ireland (or solely in e-book format). From this year, novels are eligible in the year of their first publication, regardless of where they were published.
Because occasionally a book can still be hard to find in the UK when it’s only been published elsewhere, novels may also be eligible in the year of their first UK/Ireland publication, at the awards administrator’s discretion.
We’re making this change for several reasons, but in general terms we’re doing it to keep awards eligibility in line with the books that British fans are reading and talking about. Publishing availability has changed dramatically since the rule was written. Books published only in the US are now much more widely available in the UK, which means some books never get a formal UK publication even though they’re really easy to get hold of in the UK. Publishing models are also changing, and it’s getting harder and harder to tell what “counts” as UK publication.
And of course it isn’t the big names who are affected by this, which means that as a side-effect we’re narrowing our focus unnecessarily and ruling out some really great books, often by British authors or authors living and working in Britain. That’s the main motivation behind this change; we want to keep the novel award as relevant and interesting as the novels we’re all reading.